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Joined 2 years ago
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Cake day: June 14th, 2023

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  • It costs $30m to build a drone and another $1-3m to actually send it to a war zone on the other side of the world. Then each mission involves firing a $150k piece of ordinance at targets that may or may not be a valid military target. All that so you can kill a few dozen Houthis, or perhaps the family or friends of those Houthis. Perhaps a parent or an infant child. And what are these people worth? Nothing.

    The important thing to remember when doing all this back-of-the-envelop math is to always remember human life - particularly human life in a country as remote and foreign as Yemen - HAS. NO. VALUE. That’s why we’re gleefully obliterating it at every opportunity. We render their limbs from their bodies with some of the most technologically advanced killing machines in existence to prove once and for all that they are not people. They should not exist. They all must die.

    Same with Palestine. A country of roughly 5M people, but the lives of these people are worthless. Same with Haiti. Same with Iraq and Afghanistan. Same with Somali and Sudan and Syria and Libya. They are expendable. They are disposable. They are, if anything, a tax on the well-being of the better, brighter, more noble, more fundamentally human population of English-speaking and Western-aligned peoples dedicated to sending us mineral resources at below the market clearing rate.

    What we are buying with that $30m drone is a beautiful perfect world expunged of the evil rebellious creatures keeping us from all those wonderful minerals. And they have the fucking nerve to knock seven of our Wunderwaffe from the skies? This only further justifies the genocide.








  • And no one writes stories about who won the fencing match.

    Because it’s the same story that’s been running for the last century. Pro-Wrestling shows are just stories you haven’t seen before. And reviews of new performances are written about regularly.

    Wrestling takes things to a ridiculous level

    Sure. The exaggeration and the very deliberate kayfabe is a big part of the appeal. But then you see that in Cosplay and at the Renaissance Faire all the time. Running onto the tournament grounds and shouting “These aren’t real knights! They aren’t really jousting!!” is still considered gauche. And it breezes past the skills you need to ride a horse, maintain a kit, and put on the display without hurting yourself or your partner.




  • In the ballet and other examples, the difference to me is that they’re not pretending to be in a ballet competition while dancing the ballet.

    In the Nutcracker, at least, they’re pretending to fence, in a choreographed dance. A first-time naive viewer who came out of the show offended when they discover skill at fencing has nothing to do with whether the dancers playing the Nutcracker or the Rat King wins would sound silly.

    I do think that the kayfabe is what sets wrestling apart from more traditional performance art. The carnival-barker lying-to-your-face aspect of the performance is what makes it feel extra circus-y. But when you accept that the kayfabe is just part of the performance, you stop feeling offended by it and start recognizing degrees of commitment to the bit as part of the artform.


  • wrote one user on X

    Any article that quotes an anonymous account on Social Media must be obligated to prove it is not a Bot, beyond a reasonable doubt, before I’m going to take it seriously. FFS, for all we know, the person who wrote that was working for Newsweek at the time.

    Similarly, some hardliners

    Anyone we’d recognize? No? Just anonymous randos, then?

    I swear to god, if 4chan hadn’t imploded last week, we’d be getting Greentext in the headlines.




  • It’s been in decay for a while, thanks to corporate and ultra-conservative ideological interests leaning on it. A lot more of the content has drifted towards anti-immigrant fearmongering, pro-war jingoism, and paleoconservative fixations on Big Government (in the form of social programs rather than police power) and public debt. The parade of hagiographies for the ultra-wealthy and the endless pumping of tech sector vaporware haven’t been great, either.

    But enshittification has been strangling every major television news publication for a long while now. Owens isn’t exactly a radical. He made his bones giving Bush Jr an hour long platform in between 9/11 retrospectives on the eve of the 2002 election and then spent a big chunk of his career producing glossy sports media spreads for the benefit of some of the most shamelessly corrupt billionaires in the country. Since taking the “60 Minutes” producer’s desk, he’s bent over backwards to accommodate the studio’s biggest advertisers.

    If the job is too miserable for him now, I have to assume it is because he is just answering angry phone call after angry phone call from a corporate advertising base that’s plunged right off the reactionary cliff.


  • The outcome of the match is predetermined while the participants pretend that it isn’t.

    The adventure is in the journey, not the destination. I don’t care whether you win or you lose when I came to see two roided out giants do backflip kicks into one another’s torsos while their friends spray silly string to distract the combatants from the sidelines.

    That is why there are constant arguments about whether or not it’s “fake”.

    There is absolutely no question that the outcome of the matches is predetermined, in the same way that there is absolutely no doubt that the Rat King is going to get killed by the Nutcracker at the ballet. But both wrestling and ballet are athletic endeavors.